Billie Eilish has been an electronic performer since touring with her first EP “Don’t Smile at Me” at the age of 16. At this year’s Governors Ball Music Festival, she brought that energy back with all her might. With the festival, which was one of her first personal shows in over a year, and after releasing a hugely successful second album, Eilish acted like she had something to prove. It would be an understatement to simply say that she didn’t disappoint; she was a firecracker from start to finish.
With complicated songs that required a multi-octave range, it was a miracle that Eilish was consistently perfect. But then again, she’s never given fans any reason to doubt her singing. Eilish combined almost every song with tireless jumping and running up, down, and around their specially crafted stage to ensure fans were paid attention in every corner of the venue. The whole time she never failed to raise her light, wafer-thin voice over her brother and collaborator Finneas and the booming instrumentation of her band.
The LA native and 10-time Grammy winner also made sure that her audience moved in with the performance. “Give me all the energy you’ve saved in the last year and a half, okay?” She said before breaking into “my strange addiction.” When she went to her new track, “Oxytocin,” a song she and Finneas wrote “specifically for what’s going to happen,” she spent the time leading up to the beat drop begging people to be as low as possible (“No cheating! Lower, lower, lower, lower, LOW-er!”) before she exploded into jumping and dancing with her for the rest of the track.
Tracks like “NDA” on the one hand and “Halley’s Comet” and “When the party’s over” on the other offered Eilish the opportunity to inspire her fans to scream at the top of their necks or to be fascinated by her subtle ones Voice acrobatics – proof of her ability to move a lot with her. In fact, the set was dynamic and Eilish did it all. Always the superstar, she caught the attention of thousands of people in the audience and captivated him for the multi-hour set. She wanted to see everyone dancing: “Not just in the front, not just in the middle, but everyone I can see,” she said. “I can see you in the back! You may think I can’t, but I can and I want you to jump. “
To kick off the show with the somber, captivating “Bury a friend”, Eilish took her audience on an extensive tour of her music – from early hits like “Bored” from 2017 (featured in the soundtrack “Thirteen Reasons Why”) to to tracks from her latest album “Happier Than Ever”. Even her earliest songs, “Ocean Eyes” and “Bellyache,” were treated as a marquee in a mashup sung by a moving crane, a cherished nod to fans of the two hits that Eilish first introduced to the world did. Given the size of the show, such a jam-packed set seemed only fitting.
Eilish’s range during the night also showed her incredible growth as an actress over the past few years. When she saw her on stage, it was hard to imagine that she would do anything else. The last time Eilish played Gov Ball, she was 16 years old and was hot on the heels of her critically acclaimed and hugely popular debut EP.
“This is the best show ever,” she said to a screeching audience, which she greeted after a restless chant of “Billie! Billie! Billi! “” I played Gov Ball in 2018 … and it was my favorite thing in the world … It was my favorite thing I ever did and this could be the second time, ”she said. The performance looked like a homecoming, and one that was long overdue at that. Her performance of “Alles Was ich wanted” next to Finneas on a raised platform turned out to be the emotional heart of the set, with her staff member (and the muse of the song) in the spotlight as the audience’s faces were projected onto the platform and huge screens behind the couple.
“All the good girls go to hell” was another emotional high point. “You guys, we have to take care of our planet. Dead ass, ”she said as an intro to“ When We All Fall Asleep, Where Do We Go? ”Trace began to sneak in behind her. “If you think global warming isn’t real, you’re a fucking idiot.” Eilish combined the song with vivid images of raging forest fires and climate protests, a stark image that was reflected in Eilish’s all-white outfit as she sang of “hills” [burning] in California.”
“Give me everything right now,” Eilish urged the crowd before closing her set with two of her biggest hits – “Bad Guy” and an unforgettable performance of “Happier Than Ever”. From start to finish, Eilish has proven that the hype around her is well deserved. Her performance was practically flawless, which practically cemented her reputation as an unstoppable force in the music world.
—Employee Sofia Andrade can be reached at [email protected] Follow her on Twitter @bySofiaAndrade.